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I Stared at the Night of the City

Iraqi Kurdistan at the turn of the twenty-first century is a territory ruled by strongmen, revolutionaries, fixers, bureaucrats and the โ€Baronsโ€, who control everything from livestock and land to Kurdish cultural life. Defying the absolute power wielded by the Barons, a band of friends led by a poet embarks on an odyssey to find the bodies of two lovers killed unjustly by the authorities. The Barons respond by attempting to crush these would-be avengers, though their real war is waged against the imagination itself – despite the fact that imagination in its myriad forms is a prized, elusive commodity for which intellectuals, merchants, political elites and humble workers all search in one way or another. The stark realities of a rapidly changing yet still traumatised society are woven through with elements of the fantastic: a boy is born with a poem etched into his chest; a wild-eyed mystic consummates his love for a married woman in the spirit world; a political assassin discovers compassion and can no longer kill; a Hollywood film buff leads a cluster of blind children on an imaginary sea journey.Bakhtiyar Ali`s visionary novel is a soulful meditation on both political and poetic power.The Gardens of the Imagination is a trip, in more ways than one: a tale of people travelling great distances in their minds or with their feet. It is a phantasmagoric, lyrical interpretation of contemporary Kurdistan, so much in the news nowadays but otherwise so little known. Told by several unreliable narrators in a kaleidoscope of fragments that all eventually cohere, the author manages the neat trick of dipping the reader into a mesmerising fantasia just long enough before wrenching her or him back to hard, cold โ€real lifeโ€. Bakhtiyar Ali has said that he wrote this novel in part to โ€end the subordination of Kurdish writers to the will of politiciansโ€ – but he has made real poetry out of this protest.I Stared at the Night of the City is a trip, in more ways than one: a tale of extraordinary people traveling great distances, in their minds or with their feet. It is a lyrical interpretation of contemporary Kurdistan, so much in the news nowadays but otherwise so little understood.Told by several unreliable narrators in a kaleidoscope of fragments that all eventually cohere, the novel manages the neat trick of dipping readers into a fantasia just long enough before wrenching them back to hard, cold `real life`.

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